មាស សុខសោភា New, Throughout the weekend, I floated to my closest nearby EZY video shop. While holding up to be served, I floated to the comic drama, musicals, and the wrongdoing segments. It was the musicals that extraordinarily pulled to my advantage. I've generally cherished musicals, something out of order these days, supplanted by movies with much savagery, sexual hints, political, sci-fi and other activity stuffed Hollywood offerings. Gradually, my musings waited to invigorating films with music - The Sound of Music, Carousel, South Pacific, Camelot, My Fair Lady, and Mary Poppins among others. Yes, I especially mean motion picture musicals!
មាស សុខសោភា New, Before sufficiently long my recollections wafted to the best musical joint effort ever, that of Richard Rodgers and Oscar Hammerstein II, the best fabulous songwriting group in musical theater history. Rodgers composed the music, and Hammerstein composed the verses. The greater part of the stage musicals of Rodgers and Hammerstein were made into motion pictures, likewise with amazing accomplishment, specifically, The Sound of Music.
មាស សុខសោភា New, At 16, Richard Rodgers (1902-1979) at first composed various effective tunes with Lorenz Hart, an association that went on for more than a quarter century. Hart passed on in 1943. That year Rodgers and Hammerstein (1895-1960) collaborated and began their first musical coordinated effort with Oklahoma! in light of a play called 'Green Grow the Lilacs' by Lynn Riggs. Oklahoma! is altogether different from most musicals reviewed to that time where they were primarily tunes and comic drama, with little plot. For the most part, the melodies had little to do with the story. Oklahoma! has a plot. The tunes either move the plot along or help the gathering of people comprehend the characters. The story is mostly fun, and has a genuine side as well. This is on the grounds that Rodgers' experience was generally in the old-style, "fun" musicals, while Hammerstein's experience was in musical show and operetta- - more "genuine" sorts of music. At the point when Rodgers worked with Hart, he composed the music initially, and afterward Hart composed the verses. In any case, in this new group, Hammerstein composed the verses first and Rodgers made the music to fit.
Gatherings of people adored Oklahoma!. It played on Broadway for 2,248 exhibitions, breaking all Broadway film industry records for shows until that time. It additionally won the Pulitzer Prize for dramatization in 1944, which changed the substance of stage musicals - an enthusiastic story told through music, move and verses as at no other time. After Oklahoma! Rodgers and Hammerstein went ahead to make Carousel, South Pacific, The King and I and The Sound of Music. The effect on these shows for Broadway and novice stage, both as far as well known offer and their impact on different authors, was overpowering.
Merry go round, the twosome's next huge hit in 1945, had a considerably more sensational plot than Oklahoma!. Rather than the standard suggestion before the show starts, the show opens with the entire give performing an artful dance a role as the symphony plays.
South Pacific, written in 1949, and in light of 'Stories from the South Pacific' by author James A. Michener, is set amid World War II. It has the most genuine plot of any Rodgers and Hammerstein show since it defies both war and bigotry. South Pacific additionally won the Pulitzer Prize.
The King and I is about clashes between societies. It depends on a genuine anecdote about Anna Leonowens, a British tutor who went to Siam (now Thailand) to instruct the ruler's youngsters. Anna discovers life in Siam altogether different from what she is usual to, however she and the lord come to like each other in spite of their disparities.
Rodgers and Hammerstein's last joint effort was The Sound of Music, in 1959. It is likewise taking into account a genuine story, around a youthful tenderfoot religious recluse who turns into the tutor for seven offspring of a widower, Captain Von Trapp. This musical additionally has a genuine side- - it is set in the times of Nazi Germany, and the Von Trapp family's opportunity is in question. The excellent tune "Edelweiss" from The Sound of Music was the last tune Rodgers and Hammerstein composed together. Hammerstein passed on of tumor on August 23, 1960. After Hammerstein's demise, Rodgers composed different shows with different lyricists, including Stephen Sondheim, however none achieved the statures of his work with Hammerstein.
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